dripping drip drop





in Cónchar and Granada in Andalucía



Karel Martens: Motion

'Karel Martens: Motion'
This expo is part of 019’s Museum of Moving Practice


Paul Klee analyzing himself

Abwägender Künstler (Pondering Artist), 1919
Analytisches Bildnis (Analytical Portrait), 1935
Der Zeichner (The Draughtsman), 1924
Empfinder Künstler (Feeling Artist), 1919 
Mich nicht unterschätzen (Do not underestimate me), 1933

All images taken at Zentrum Paul Klee, works are part of the exhibition "Paul Klee. Poet and Thinker".
Study on his 'selbsttbildnisse': www.zwitscher-maschine.org/paul-klee-selbstbildnisse-1919


Separate Ways. Karl-Heinz Adler and Hungarian abstract art

'Separate Ways. Karl-Heinz Adler and Hungarian abstract art'
in Kiscell Museum, a former monastery and church in Óbuda, Hungary.

"As his work was an example of abstract art, Adler was not allowed to participate in the official East-German art scene from the 1960s until 1988. At the same time however, his abstract geometrical forms made out of concrete were very popular decorations for facades and partitions; as a result, Adler’s architectural sculptures became a defining feature of the streets of Dresden and Berlin. Albeit a lot more subtly, but the dichotomy of banning abstraction in fine art but accepting it as a form of applied art was also characteristic of Hungarian cultural policy in the Kádár era. The exhibition explores a peculiar aspect of “Hungarian abstraction”: starting out from Karl-Heinz Adler’s geometrical architectural sculptures, it examines the ways in which geometrical abstraction appeared on Hungarian public buildings in the ’70s and ’80s."